Das Konzert ist ausverkauft!
Die TIGER-TOUR bringt die im Februar erscheinende EP „TIGER“ nach Leipzig, Köln, Wien, Hamburg und Berlin.
Piya macht digitalen Chanson. Zusammen mit ihrer Band, ihren Freund*innen und Spielkamerad*innen, wird gebrüllt, Pauken treffen auf Autotune und „Dissonanz auf ruhigen Beat“.
Piya singt auf ihrer EP von einer Identitätssuche in einer Welt, in der es keine Identitäten mehr zu geben scheint. Aus Wut und Verzweiflung erwächst Mut, ihren Frust in die Welt zu schreien! Dabei bleibt piya vertraut, magnetisierend und magisch.
»A breathlessly unpredictable collision of punk energy, math-rock time signatures, techno beats, free-jazz sax solos, blaring synthesisers and tumbling call-and-response vocals, "Snapshot Of Pure Attention" is the incredible second album by fast-rising Berlin trio PAINTING. Their debut album "Painting Is Dead", was hailed as "the greatest new band in the German pop avant-garde" by Rolling Stone.«
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COLAFANTASPRITE »is a math-y trio that blends intricate rhythms and dynamic time signatures to create a personal sound that's as unique as a lightning bolt in a soda can. Drawing inspiration from the technical prowess of jazz and the raw energy of punk, their music offers a rollercoaster ride through shifting sonic landscapes. With a name as refreshing as their approach, colafantasprite is redefining musical boundaries, one meticulously crafted note at a time. Buckle up and get ready for a wild, fizz-filled musical adventure!«
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Time
doors 19:00 - show 20:00
CHIKISS (avant synth-pop, minimalist electronics, Berlin)
https://chikissecrets.bandcamp.com
TOLGA BÖYÜK & MUHLIS BERBEROĞLU (anadolu psych/folk/experimental, Berlin/Istanbul)
https://islandman-feat-okaytemiz-and-muhlisberberolu.bandcamp.com/album/direct-to-disc-sessions
https://islandman.bandcamp.com/album/island5
Tickets: https://vvk.link/4aew5gw
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Galina Ozeran, widely known by her artist name Chikiss, is a Belarusian-born singer, composer and producer, based in Berlin. Embracing music as an ongoing artistic journey, she has evolved from her roots in post-punk and experimental rock to a distinctive sound that blends synth-pop, minimalist electronics, and electro-acoustic textures – often enriched with noir-jazz undertones. Her work draws inspiration from Soviet cinematic and pop experiments, as well as the haunting atmospheres of David Lynch soundtracks and early WARP releases, all interwoven with powerful and existential lyricism. Galina Ozeran has released numerous full-length albums and collaborated on various projects with artists including Dorit Chrysler, Die Wilde Jagd, Jaakko Eino Kalevi, Thomas Azier, Plattenbau, Saeko Killy and many more. Her signature use of unique samples and a DIY approach to music production position her as a standout voice in the contemporary avant-pop landscape.
Listen the album "Between Time and Laziness"
https://chikissecrets.bandcamp.com
TOLGA BÖYÜK & MUHLIS BERBEROĞLU are both musicians and producers from Istanbul. Tolgas main project is Islandman. Muhlis joins him for the Kurkonzert as Saz player and brings analog anadolu vibes into a psych/folk/experimental version of Tolgas projects.
Listen out the album Tolga and Muhlis made with the anadolu legend Okay Temiz:
https://islandman-feat-okaytemiz-and-muhlisberberolu.bandcamp.com/album/direct-to-disc-sessions
https://islandman.bandcamp.com/album/island5
Bird Control (Psychedelic post-punk from Berlin)
https://birdctrl.bandcamp.com
3 guitarists - formerly of Mucus 2, Monochords and Air 6 - join forces with the drummer of Jeans Team to go ape in the forest of sounds.
375 CEG (experimental Grunge/Punkkraut, Frankfurt/Main)
https://375ceg.bandcamp.com
Christina Drees
Matthias Vatter
Gerd Böhme
Dietrich Skrock
Mit Jamaican Jazz und handfesten Reggae-Grooves bringen Wood In Di Fire bei ihren Live-Sessions die Dancehall zum Toben. Was als Jam-Projekt von Musikern aus verschiedenen Berliner Bands begann, hat sich zur festen Formation entwickelt. Doch der Session-Gedanke ist immer noch lebendig: Die Bandmitglieder und Gäste bringen die verschiedensten Einflüsse aus Reggae, Jazz, Ska, Latin und Afro-Beat mit und sorgen damit immer wieder für überraschende Kicks. Dass Wood In Di Fire es schaffen, das auf CD festzuhalten, wissen auch die Kritiker zu würdigen: das erste Album „Que Pasa“ kam in die Kritiker-Top-Ten 2003 der „Riddim“! Auch die beiden folgenden Alben OFF THE HOOK und NOON ON THE MOON wurden live in einer Scheune im uckermärkischen Neu-Meichow eingespielt und fielen durch ihre stilübergreifenden Kompositionen und Arrangements auf.
2014 erscheint nun das neue Album der Gruppe als erste reine Studioproduktion, ohne dabei das Konzept des gemeinsamen Einspielens aufzugeben. Nachwievor steht für Wood In Di Fire die Spielfreude, die Frische, ihrer außergewöhnlichen, interkontinentalen musikalischen Fusion aus treibenden Reggae Beats und Jazzy Grooves m Vordergrund.
Auf ihren Konzerten begeistern Wood In Di Fire ihr Publikum mit ihrer außergewöhnlichen, interkontinentalen & musikalischen Fusionen, aus treibenden Reggae Beats und Jazzy Grooves.
Seit das Projekt im Jahre 2000 startete, spielt Wood In Di Fire traditionell im Berliner „Schokoladen“. Der bis heute monatlich stattfindende Reggae-Jam wurde schnell vom Geheimtipp zum etablierten Termin der Berliner Reggae-Szene.
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und nach 22 uhr:
Everything Crash Berlin DJs
Jamaican Ska, Early Reggae, Rocksteady, Sweet Soul Music. Vintage vinyl only.
Das Konzert ist ausverkauft!
ZERFALL (Punk/Berlin) + KOLLEKTIVER BRECHREIZ (Punk/Thüringen)
aftershow ab 22.30 Uhr: DJ Vossi (punk / party-perlen / hits)
ZERFALL: Frühe Ost-Berliner Punk-Band aus dem Umfeld der Galiläa-Kirche, damals (1984/85) Nummer 1 der Stasi-Hitliste.
KOLLEKTIVER BRECHREIZ: Als Metalfan Klein-Steffen im Jahr 1985 aus dem Kuhstall-Proberaum von Schleimkeim ans Tageslicht kroch, gründete er am gleichen Tag mit Bruder Falk eine Punkband: Brechreiz 0815. Vierzig Jahre später kommt ihm immer noch das Würgen.
CONSTANT SMILES was formed in 2009 by Ben Jones. He was joined by different collaborators in versions of the band that manifested as noisy soundscapes, scenic chamber pop, or icy coldwave-adjacent synth-pop, often released on opaquely-designed, ultra-limited albums named after favorite film directors. A move to New York and a few records on Sacred Bones resulted in more people becoming aware of the band, but Jones and friends remained in constant flux. The great unlocking of the Constant Smiles puzzlebox happened when the band solidified into a permanent core lineup when drummer/vocalist Nora Knight joined Jones and longtime bassist Spike Currier in the end of 2022. After years of being defined by visceral change and inconsistency, this stabilized personnel shifted the sound, emotional coloration, and impact of the band. With Knight and Currier providing counterpoint and structure to Jones’ always percolating creative drive, the songs became more streamlined and direct. Still airy and dream-like, the trio version of Constant Smiles that produced Moonflowers has cleared away the clouds of vaguity and uncertainty that could make earlier versions of the band feel harder to connect with. Like the best moments of foundational albums by Talk Talk or Nick Drake, the lived-in majesty of Adrianne Lenker’s Songs/Instrumentals or Jim O’Rourke’s excursions into chamber pop, Moonflowers reaches its dynamic swells naturally, almost subliminally. It’s a sound that past Constant Smiles releases hinted at but never fully achieved.
Much like the night-blooming flora the album takes its name from, Constant Smiles’ Felte debut Moonflowers is the product of slow, largely unseen patterns of growth. The New York-based band forged a path all their own on the way here, gradually growing from an amorphous collection of highly conceptual ideas into something easier to grasp, with every step of their unlikely route leading to Moonflowers, a subtle masterpiece of internally-born ambient pop.
Moonflowers is the clearest possible view of something that took years to form, yet feels naturally like an introduction. The music is cared for but not belabored, and this fits perfectly with songs about the feelings that happen before you have time to think. In this fully arrived form, Constant Smiles taps into something instinctive, an atmosphere of stillness with microscopic parts that never stop moving, and songs that are nearly transparent but still somehow heavier than a mountain.
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Migrant music from the end of the world
Founded in Santiago de Chile and based in Berlin, Las Brumas bring together elements from pop and rock, mixed with punk chords and Latin American folk. Originally created by singer and composer Yanara, the band acquires new power on stage as a fully fledged four-woman line-up. Following their first record Umbral, the band is in the process of creating their second album. In the meantime, new original songs - which include 2022 single Amor Craquelado - can be heard live in Berlin and other European cities.
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Andreas „Spider“ Krenzke, Tobias „Tube“ Herre, Uli Hannemann, Eva Mirasol und Ivo Lotion präsentieren Geschichten, Lieder und Gäste.
LSD – Liebe Statt Drogen ist eine der bekanntesten Lesebühnen Berlins. Jeden Dienstagabend gestalten die 5 Mitglieder von LSD und eingeladene Gäste im Berliner Schokoladen ein Programm aus neuen Texten und Songs. Gegründet 1996 besteht LSD heute aus den Mitgliedern Andreas „Spider“ Krenzke, Tobias „Tube“ Herre, Uli Hannemann, Eva Mirasol und Ivo Lotion. Alle 5 genannten Künstler sind als Autoren und Musiker auch in anderen Bereichen aktiv.
LSD bietet jeden 1. & 3. Dienstag ein Offenes Mikro für Menschen an, die spontan etwas vortragen wollen. Beachtet bitte, dass der Beitrag selbstverfasst sein muss und nicht länger als 6 Minuten dauert. Wer am Offenen Mikro liest, braucht keinen Eintritt zahlen und bekommt ein Freigetränk.
Auf irgendeinen Stil oder ein Ziel lassen sich die Eklektiker von EAT THEM nur höchst ungerne festnageln. Möglich ist das angesichts des Oeuvres der Band aus Bochum ohnehin kaum. In ihrer Diskografie gibt es so gut wie alles, was sich mit einem wie auch immer gearteten Bandsetup bewerkstelligen lässt: Indie und Punk, Noise und Lo-Fi-Pop, Shoegaze und Krautrock, Mathcore und Punk, Experimentelles und Eingängiges. Die Liste ließe sich absurd lang weiterführen – und das ist auch durchaus gewollt. Vorhersehbar sind Alben wie „Powerbank Reality“ (2018) oder „Gelbe Spinnerei“ (2021) jedenfalls nie, was Fans der Band zu tatsächlichen Fanatikern macht, die alles aus deren Angebot dankend verschlingen. Eat Them haben die Reaktion auf ihre Musik also irgendwie im Namen, vertilgen aber auch alles an Einflüssen derer sie geistig habhaft werden können. Das neue Album „LATE“ (2024) lässt diesbezüglich ganz bewusst viele Fragen offen, damit die Antworten Teil des Hörprozesses werden. Zweifellos eine der spannendsten deutschen Bands der Gegenwart.
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Time
Release party from Managua Records / Moodmusic.
Links
breakablesband.bandcamp.com linktr.ee muudu.bandcamp.com youtu.be
M:Soundtrack presents a Vignette evening on 19.03.2026 : RELEASE PARTY -
Breakables (Finland / Bln - Ambient Jazz) + Muudu (Estonia / Bln -Indie- Electronica-House)
Breakables is a Finnish–Berlin-based duo making music that lives between intimacy and momentum. Their debut album, RPM (Managua Records), moves effortlessly between ambient textures, minimal club rhythms, and experimental electronic jazz, creating soundscapes that feel both precise and alive.
Working with live instruments, old vinyl samples and electronic processing, Breakables builds music that’s meant to be experienced as a whole. Each track invites careful listening, revealing subtle shifts in texture and emotion, whether through headphones in private or in a live setting where every nuance comes alive.
The duo draws inspiration from the quiet expanses of Nordic landscapes and the pulse of Berlin’s club scene, blending them into a sound that is both spacious and grounded, meticulous yet human. Their approach balances composition with improvisation, structure with spontaneity, creating music that is thoughtful but
never rigid.
At its core, Breakables’ work is about presence—about making space for emotion, reflection, and connection through sound. Their music doesn’t just move the body; it lingers in the mind, leaving traces of memory, mood, and movement long after the last note fades.
Their debut album RPM was released on Managua Records, the ambient-focused sub-label of Moodmusic. This album is all about movement — not the kind that rushes forward, but the kind that keeps going at its own pace, never stagnant. It’s got a mix of experimental electronic jazz, cinematic. The duo pulls from a wide range of influences — the patience of classical music, the driving clarity of Harmonia, and the raw emotion of late 90s UK dance acts like Leftfield and Faithless — but they’ve made it their own, stripping things back and focusing on space, dynamics, and the tension between live performance and electronic elements.
“We wanted the music to feel like it’s always moving, never rushing, but never standing still either.”
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Muudu (Martin Kuut) is an Estonian-born, Berlin-based producer, live act, and DJ whose sound bridges house, ambient, indie electronica, breakbeat, and Nordic prog-rock textures. Known for weaving odd time signatures into grooves that feel natural and hypnotic, his music balances contrast with cohesion and atmosphere with rhythm.
At the core of his journey is the idea of Muudupeople — the friends, collaborators, and
inspirations who shape his sound. Without Muudupeople, there is no Muudu.
