NOTHING WORKS / »Berlin post-hardcore band combining the raw energy of hardcore punk with '90s indie and alternative influences. Driving riffs, memorable hooks and urgent vocals meet sharp lyrics exploring intersectional feminism, anti-racism and anti-fascism.

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more infos & full line-up very soon!

/ vvk.link/4nrje4w /

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and after the concert:

 - No Tears For The Creatures Of The Night -
Halloween Special w/ DJs Alienshe & Hunkydory
spooky 50s & 60s tracks / punk / post-punk / new-wave / dark-wave / disco

Der Käpt'n kommt mit einem fetten Angebot aus allen nationalen und internationalen Künstlern!
Der Abend hat schon lange Kultcharakter und ist zum Kreischen fröhlich, generations- und sozialübergreifend und warmherzig...!
Eine der schönsten Bühnen Berlins & ein perfekter Monitor- und Raumsound besorgen den Rest!
Singen macht halt glücklich und dabei zuschauen auch!
holt euch die Käpt'n Karaoke App auf's Smartphone!
... wei sie wirklich toll ist!
https://play.google.com/store/apps/details...
Oder klickt den Link für seine Songliste…
http://derkaeptn.de/songliste.html

Two Wheels Move the Soul — the sophomore LP from the mercurial quartet Robber Robber — collects a series of pressurized vignettes to assemble a thrillingly explosive statement. Written and recorded following the demolition of founding members Nina Cates and Zack James’ longtime home, Two Wheels Move the Soul captures the chaos of living at the mercy of powers-that-be. Propelled by Cates’ nonchalant bars — inspired by the effortlessly cool cadence of Gucci Mane and Lou Reed — Two Wheels Move the Soul spans post-punk scorchers, burnt-out slacker anthems, and melodies that sweeten every bitter pill stomached along the way.

Following the acclaim of their debut — Pitchfork “Best Rock Albums of 2024”, Paste “Best Debut Albums of of 2024”, Stereogum “2024 Best New Artists” — Two Wheels Move the Soul works through the discomfort of class, upheaval, and inevitable catastrophe, as only Robber Robber could.

MOVING AS A GIANT is a noise/post-rock trio from Murska Sobota, active since 2022. Their sound is built on massive synth lines and unconventional rhythmic structures, imbued with a love for noise. Fronted by the commanding vocals of Bojana Pejanović, the band channels raw intensity and vulnerability in equal measure. Their self-titled debut LP, released on KAPA Records in June 2024, introduced their distinct sound to wide acclaim. The album captures the trio’s deep commitment to sonic exploration and emotional expression. In 2023, they toured as part of the Radio Študent Club Marathon, and in 2024 and 2025, they brought their sound to major festivals including MENT Ljubljana, Druga Godba, and Changeover Festival, solidifying their presence on the regional scene.

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SOUL CLEAR is a Berlin-based, three-piece band drawing inspiration from noise rock, post-punk and fuzz-drenched shoegaze. After spending months holed up in the studio writing, recording and not compromising, they’re gearing up to release their debut EP in the coming months.

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vvk.link/4npknu8 / fb.com/events/1112586615049096

Los Sara Fontán (post rock, experimental; Calonge)
https://sarafontan.com
https://lossarafontan.bandcamp.com
https://www.youtube.com/channel/UCOpE1-NsQP7ajty3Kbxha8A

Franna (experimental song; Berlin)
https://www.instagram.com/franna.franna/

doors 19:00 - show 20:00
Tickets: https://vvk.link/4ocm4y8

Los Sara Fontan explore the irrational through sound and texture, whether acoustic, distorted, or electronic. The duo, formed by Sara Fontan and Edi Pou (one half of ZA!), pushes their instruments to their limits through loops, glitches, irregular rhythms, and atonality.

The stage is their natural habitat: every performance is physical, passionate, punk, ever-changing, and deeply responsive to its surroundings. Their music is open source and frequently extends into collaborations with dance, poetry, theatre, and film.

Sara and Edi have performed in dozens of countries through an underground network they are proud to be part of, driven by the question of whether it is possible to build a musical career without following the productive routines of the music industry.



franna combines tape recordings, field recordings, voice and processed cello textures into soundscapes spanning ambient, experimental pop, and noise.

Hailing from Liège, Belgium, FERVENTS have established themselves in recent years as one of the most incisive rock bands of their generation. Two years after their EP ‘Plastic Snake Factory’, and driven by the infectious track “Faith,” the trio returned to the studio to record their debut album, filled with rougher, darker songs deeply influenced by the grunge and hardcore punk scenes. The band worked with award-winning producer Jack Shirley at The Atomic Garden in Oakland, CA.

Built on abrasive rhythms and irresistible melodies, the band’s three voices come together to challenge social conformity, everyday addictions, and the search for a life that still feels meaningful. Punk urgency meets post-hardcore grit, loud, tense, and alive.

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ULLA SUSPEKT macht Musik für alle, deren Antrag schon mal abgelehnt wurde: vom Amt, vom Leben oder vom eigenen Kopf. Auf ihrem neuen Album „Antrag abgelehnt" tauscht die Nürnbergerin mit Wahlheimat Wien die Beats gegen echte Gitarre und echtes Schlagzeug. Zum ersten Mal klingt die Platte genau so wie die Show: laut, wütend und trotzdem mit einem Grinsen im Gesicht.

Es geht ums Pleitesein, ums Schwarzfahren, um Ärger mit der Polizei, um toxische Männlichkeit und um die späte Erkenntnis, dass Heulen auch schön sein kann. Live wird daraus eine Achterbahnfahrt mit Band: Jede Show beginnt mit einer Sound-Performance, und spätestens wenn Ulla mit dem Bass ins Publikum schießt, ist klar, dass man diesen Abend nicht ablehnen sollte.

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vvk.link/4mfqa9c

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and after the concert:

- There She Goes -
w/ DJs Gold Soundz & Roller Coaster Ride
60s / indie / new wave / postpunk / shoegaze / 90s

Bial H Clap is a music producer and DJ with an important legacy for hip hop in his hometown Guadalajara. In 2005 he founded the label Handiclap Records, Bial Hclap has collaborated with Pato Machete, Capricornio Man (El Gran Silencio), Dr. Shenka (Panteón Rococó), to name a few. He has performed in clubs and festivals in Asia, Europe and North America and Latam such as Fusion Festival, CPH Distortion, SXSW, Pilsen Fest and Carnival of Cultures. He has also shared the stage with Chico Trujillo, Panteón Rococó, La Yegros and Mon Laferte. Bial Hclap has positioned himself as one of the most relevant remixers and producers of hip hop, neo cumbia and global bass in official remixes for Los Mirlos, Fidel Nadal, Sonido Gallo Negro, La Dame Blanche and Celso Piña. He has been released by labels in America and Europe such as Buddha Bar (France), Worldwide Records (Mexico), and more.

FRIEDA is a singer-songwriter and producer from Mexico City, now based in Berlin. Her work embodies the spirit of Neo-Mexicanidad: a fresh vision of Mexican identity that honors tradition while embracing the modern. Always true to her love for Mexico and its diversity, she fuses traditional folk rhythms and instruments with alternative sounds, synthesizers, and contemporary lyricism, shaping a sound that is both rooted and forward-looking. With the release of her debut EP, Tan Corta la Vida, FRIEDA presents herself as a conceptual and complete artist. The project tells an original legend inspired by maguey plants and Mexican folklore, while musically blending folk and alternative genres into a new sonic universe. Her voice, powerful yet intimate, guides listeners through this journey where Mexican music begins to transcend borders and reach new audiences. This innovative proposal has already opened international doors for FRIEDA, with performances in Frankfurt, Panama, and Costa Rica. Now, from Berlin, she continues to expand her project, determined to establish herself as one of the emerging voices shaping the new Mexican cultural wave.

Yugo Taguchi is a Japanese reggae artist and producer currently based in Berlin, Germany. Renowned for his cross-cultural approach to roots and dub music, he has built an international reputation as a dynamic performer and collaborator bridging the Japanese, European, and Caribbean reggae scenes. Born in Japan, Taguchi began his musical journey in London in 2010, where he immersed himself in the city's vibrant sound system culture. Deeply influenced by pioneers such as Jah Shaka, The Twinkle Brothers, and the Bush Chemists, he developed a profound appreciation for the spiritual and rhythmic foundations of reggae and dub. In 2015, Taguchi relocated to France, where he connected with prominent artists including Bigga Ranx (Telly), Junior Roy, Ricky Sai Sai, and Joseph Cotton. These connection enriched his artistic palette, blending traditional roots reggae with contemporary European sounds. By 2017, Yugo had settled in Berlin, a city known for its eclectic music scene. Despite the global challenges of the pandemic, he refined his artistic identity and expanded his international network, working with musicians from diverse backgrounds. His partnership with Blessed Love Records Shop, established in 2021, marked a significant step in his mission to promote reggae culture through a curated selection of Jamaican, Japanese, and European labels. Taguchi's live performances have earned him recognition across continents. Notably, he performed at Rototom Sunsplash in Spain in 2023—one of the world's largest and most respected reggae festivals—and completed a successful South American tour with La Gorda Dub in 2024. Today, Yugo Taguchi stands as a global ambassador of reggae music, uniting cultures through rhythm, message, and authenticity. His work continues to embody the universal spirit of reggae—peace, unity, and conscious expression.

and after the conert:

 - Bial Hclap DJ-Set -
world / beats / electronic

SHAKI TAVI / Minor Slip is the Felte debut from Shaki Tavi, the main project of Oklahoma-born, LA-based DIY lifer Leon Manson. Centered on squalls of fuzzed-out guitars, overdriven drums, and Manson’s harmonized baritone, its eight songs are powerful, vulnerable, catchy, and genuine, a pop-leaning eruption of creative force from the child of rock musicians, whose passion emerged as a small town outsider, and strengthened amid the artifice and fend-for-yourself reality of LA.

RIYL: Narrow Head, Cloakroom, Whirr, Kraus, Film School, Nothing, Ovlov, julie, Hum, Failure, They Are Gutting A Body of Water, Drop Nineteens, early Weezer, The Rentals, Pile, Alt Rock, Meat Wave, LVL UP, Autolux, Dinosaur Jr., Bowery Electric, Jesus & Mary Chain, Luster

/ vvk.link/4kydugg /

Punk rockers EDGING come armed with crushing riffs, searing sax, and unapologetic queer chaos. Their music encompasses the mess that is modern life, resulting in an eruption of sound and sweat that borders on a religious experience.

Edging is a Chicago five-piece that proves good sax and hardcore punk are a match made in basement. Since being on the cover of the Chicago reader they’ve evolved from a wild DIY secret into a polished, high-velocity force. Led by the magnetic screaming and yelping of vocalist Faith Callaway. The band’s sound is defined y searing sax, fuzzy riffs, and a rhythm section that sounds like it’s constantly trying to outrun itself.

Edging has shared the stage with Amyl and the Sniffers, Upchuck, Snooper, Les Savy Fav, Die Spitz, Lambrini Girls, Pigs x7, Lydia Lunch, and many more. They already released a couple of albums, “Good Sex Music” (2023) and “Concrete Cumming” (2024). Their third record, “Unload your Shame”, will be out on the 5th of june.

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JAZZ / »Jazz’ debut LP is a German homage to the absolute frustration people call life, while also showing paths out of total resignation. The whole ensemble of instruments sounds like an orchestrated funfair, constantly shifting between madness and joy. The variety of synths expels the paths of resignation and instead settles into your head like a screw. Warm and pumping, they move hand in hand with the playful, edgy drums.

The third song, “Reinfall,” already makes clear what is wrong all around you and drags you out of the present into the past … or is it the future already? While songs like “Hrvatska” denounce separation and strike against the way people treat each other, “Schmerz” is a sarcastic and groovy song for those who still have the power to feel pain. Whenever you think the structure is falling apart like a puzzle game, more than two hands appear to keep it all together. While the guitar functions like a pencil, highlighting sweet and sometimes dreamy melodies, more and more voices rise into a choir, all cheering to be alive.

The album ends with a chanson called “ein quäntchen Freud,” a beautiful ironic essence of what Jazz wants to express:

Even if all the complexity of this planet’s destiny crashes down on you like falling steel, you should still grab another person’s hand and ask for the next dance.« (Debbie Ober/Unter & Raphael Sternenhagel)

taz.de/Postpunkband-Jazz-aus-Halle

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vvk.link/4ipj6i8 / fb.com/events/2535477666954000