GOATBURNER - Unleashing the raw fury of death metal with a relentless, primal force. This dynamic duo merges savage, high-octane riffs, delivering a sound that's as catchy as it is merciless. Prepare for a sonicassault that’s brutal yet unforgettable, where every note burns with intensity and every beat drives deepinto the abyss.Formed in 2017, GOATBURNER, has been touring constantly around Europe and even in Brazil in 2023. They have shared stages with Mantar, Cryptic Hatred, NervoChaos, Warfuck, Test, Benighted, Barren Womb, Implore, Death Crusade and many other bands. The duo is currently writing their 3rd full-length album in between the tours while finalizing their collaboration album with experimental grind duoTest from Brazil. The band released their 2nd full length album "Fatal" in October 2023. Discography includes also "Timeto Burn" EP from 2018, "Extreme Conditions" LP from 2019 and "Danger" EP from 2022.

Meet M.O.R.A., a hardcore band from the darkest pits of Hellsinki, Finland. his mayhem machine fueled by its members love for the sport has managed to create a healthy amount of buzz in the Finnish/European scene and managed to play over 100 energy-ridden shows since 2008. heir style can be described as a mix of old and new school hardcore accompanied with two female vocalists. he original cast came to be in 2008 and played until 2014, ater which their irst singer and bass player started families and decided to retire from music. he current lineup has been active since 2015.Lyric-wise M.O.R.A. dabbles in themes such as substance abuse, depression, poverty and other positive phenomenons of our time. his pondering is not done in a very light hearted fashion as can be expected from a group hailing from one of the most suicidal nations in the world. Although delivering their verbal onslaught in Finnish M.O.R.A. has gained popularity outside Finland which stands proof of their appeal as a live band as well as the strength of their sound in general.M.O.R.A. has published two EPs and played over 100 shows since 2008, including three European tours and a mini tour of the Baltic region. A devotee of the DIY ethic since the beginning, M.O.R.A. is currently in the process of recording a new album which is planned to be released in summer 2017. Naturally touring is also in the plans for this group is all about exporting their unique brand of madness and meeting like minded people in the process.

M:Soundtrack Birthday Party with Feminist Jazz, Cinematic Funk & Sonic Resistance

On November 8 ·  M:Soundtrack x Little League Shows prst: Seoi Nage (cinematic kraut funk, mmbrs of Messer) +  So Sorry (indie-jazz, bln)  +   DJ TBA

On the occasion of M:Soundtrack’s birthday, curator and cultural connector Melissa Perales joins forces with Little League Shows to celebrate live music that pulses with soul, resistance, and narrative power.

This special edition features two genre-blurring bands that reflect Melissa’s long-standing commitment to soundtracks, feminism, and radical community-building:

So Sorry So Sorry is not an apology—but a feminist call to arms. A Berlin-based FLINTA* band blending indie, jazz, and groove, their concept of caring music flips genre expectations and demands space in the male-dominated jazz, funk, and fusion scenes. Their performances are warm, radical, and rhythmically bold—songs that sing, dance, and fight for queerness, empowerment, and joy.

If you think femininely socialized musicians only write ballads—you're invited to be joyfully proven wrong.

Seoi Nage – Cinematic kraut-funk from Münster.
Named after a classic judo throw and formed by musicians with martial arts backgrounds, Seoi Nage is an instrumental four-piece—delivering a genre-hopping tour de force. Think: martial arts cinema meets Italian giallo, sleazy car chases, and psychedelic noir. Their debut feels like the soundtrack to a cult film that never existed—full of swagger, funk, and suspense.

* Expect a night of narrative beats, sonic storytelling, and music as action. Curated by Melissa Perales, whose work sits at the intersection of cinema, sound, and social impact, and co-presented with Little League Shows—champions of Berlin’s underground.

The queer vegan shitpunks, Joe & The Shitboys, formed with the intention of calling out shitty behaviour in the conservative Faroe Islands, where the rock scene is filled with boneless homophobes and meat-eating misogynists - and continue to take their aim at general vibe killers everywhere.  

The live shows are full of energy, with a barrage of songs often under a minute long, like “Save The Planet You Dumb Shit”, "Life Is Great You Suck" and “If You Believe in Eating Meat Start With Your Dog”, being broken up by the flamboyant frontman roasting the audience relentlessly.  The band (Joe, Ziggy Shit, Johnny Shit and Ollie Shit) have played every type of venue there is; roof tops, public toilets, opening ceremonies for North Atlantic sub sea tunnels, museums and skateparks, and have also appeared on their fair share of major festival line ups around Europe and North America.

// ANGELIKA EXPRESS //
Indie-Punk aus Köln seit 2002
Punkrock, Pop und kaputte Poesie - fürs 10. Album KÖLN IST KAPUTT tigern die Indie-Punk-
Styler*innen durch die Abgründe ihrer Heimatstadt. Hier finden sie den Rohstoff für ihre
euphorischen Gassenhauer: Wut und Hoffnung, verpackt in krisenkillende Slogans voll
diskursiver Frische.
Robert, Annick und Tscherno nehmen uns mit auf eine hart rockende Revue durch Punk und
PowerPop und Indie. Zitat von Toter Hose Campino: "Hohes Tempo, gewaltige Energie, schöne
Melodien und jede Menge Texte zum Mitsingen."
Freuen wir uns auf begeisternde Bühnenpräsenz voll schrägem Enthusiasmus und schönster
Aggression. Auf dreckige Sex Pistols Gitarren, Slogans voll diskursiver Frische, stampfende
Pogo-Power. Freudestrahlende Gesichter quer durchs Publikum sind garantiert.

Wer ist Batbait, und wie machen sie Musik, die so intensiv und seltsam schön ist? (Denn wenn wir die Rockmusik endlich für sich selbst sprechen liessen, würde sie mit grosser Bestimmtheit sagen, dass sie sich wünscht, von Batbait gespielt zu werden.)Ein Klang, der weit mehr ist als verzerrte Gitarren und treibende Rhythmen. Hier entfaltet sich Sound, der nicht nur an der Oberfläche kratzt, sondern tiefere Schichten offenlegt. Glitzern im Krach. Against the Glotz. Wenn das Patriarchat ins Stocken gerät, klingt Batbait nach. Zugänglichkeit wird neu verhandelt, wenn sie ihre Songs shredden. DIY ist hier kein Stil, sondern gelebte Realität. Die vier Musikerinnen entwickeln kompromisslos ihre eigene musikalische Sprache weiter, frei von konventionellen Grenzen: Distortion, Hallschwaden und klickende Rhythmen verweben sich zu einem komplexen, vielschichtigen Erlebnis. Musik, Text, visuelle Kunst und Ästhetik formen ihr Werk, in dem Selbstbestimmung und Unabhängigkeit in den Mittelpunkt gestellt wird. Batbait zeigen, wie Rockmusik nicht einfach nur viel Platz braucht, sondern laut und wütend und gleichzeitig aber auch reflektiert, freudvoll und sensibel sein kann.

In der Verbindung von Klang und Inhalten entsteht ein Sound, der sich allen Rock-Sub-Genregrenzen entzieht und seinen eigenen Weg geht – radikal und eigenständig.Zwischen Kraft, Nonchalance und Understatement: Nach ihrem ersten Album ‘Dirty ClothesÄ (Irascible Records, 2022) folgt bald ein Zweites. Derweil kocht bei Batbait Pasta sogar in kaltem Wasser.

Wieso drei Ticket-Kategorien? Künstler:innen sollen fair bezahlt werden, trotzdem wollen wir niemanden von den Konzerten ausschließen, die sich die Karten nicht leisten können.  

Jetzt kommt Ihr ins Spiel. Die 'Normaltickets' sind der Kompromiss einer fairen Gage und dem Decken der laufenden Personalkosten vom Schokoladen. Was unterstützt Ihr als Supporter:innen? Wir können dadurch unser Kontingent 'Socialticket' anbieten (10%), es muss kein Nachweis erbracht werden, um es zu kaufen. Durch Eure Unterstützung helft Ihr den Künstler:innen Ihre Ausgaben zu decken und dem Schokoladen die Preise so niedrig wie möglich zu halten.