Sa 04.03.2017
19.00 Uhr
Musik   thirsty & miserable: 13 Year Cicada (NoisePop/SoftCore, Berlin - Rec-Release-Show) + Pranke (AvantMathRockPop, Berlin)

12 year cicadadoors 19:00 - show 20:00 - danach DJs Thunder & Kush Khazeela
pranke13 Year Cicadas really exist. Their larvae live in the soil, where they develop over the course of 13 years, feeding off of root juice. Then the entire population emerges at once, flooding the forest and is either eaten or dies after eight weeks. Their strategy is predator satiation: overwhelming their enemies by mass occurrence.
'Totem Tongue' is the first full length album by the Berlin based band 13 Year Cicada, being released on February 17, 2017 on Gandula in Barcelona, Spain. From noise to rap to improv, extended vocal techniques to psychedelia, fluffy synth-pop to in-your-face math-rock anything that felt right was amalgamated into one dense 37 minute ride. 13 Year Cicada started out first and foremost as a live band, playing their first show in a dusty wooden attic in 2014. Since then they have stuck to their cinematic concept of performing without breaks between songs, taking people on a surging trip that they might not come off of long after the music has faded. This live-idea comes across in 'Totem Tongue'. One can hear the joy in striking that one hit, playing that one drone, screaming that one word that counts - other than their totem 13 Year Cicada are not planning to stay below ground for the next 13 years.

was formed in the summer of 2014 by Icelandic guitarist Daniel Bödvarsson and German drummer Max Andrzejewski. Both are prominent on the young Berlin jazz/improvised music scene.

The flatmates’ listening sessions led them to the rehearsal room, jamming odd-time based rock riffs and exploring the reduced setting of guitar and drums. Eventually, elements from free jazz and pop found their way into the music, with the addition of vocals and a synthesizer pushing them into a new territory. Think Hella, with a fair amount of songwriting, shreds and drones a la the Dirty Projectors,
The Thing and Can. The unexpected twists and turns, huge dynamics and juggling of grittiness and sensitivity has an urban vibe and reflects Max and Daniel’s search for a way of living in the city.
Pranke EP was released on tape (incl. download) on Twaague Records in September 2015.

So 05.03.2017
20.30 Uhr
Party   Karaoke Nacht mit Kj DER KÄPT’N

... und den Schokis
KJ Der Käpt'n kommt mit einem fetten Angebot aus allen nationalen und internationalen Künstlern!
Der Abend hat schon lange Kultcharakter und ist zum Kreischen fröhlich, generations- und sozialübergreifend und warmherzig...!
Eine der schönsten Bühnen Berlins & ein perfekter Monitor- und Raumsound besorgen den Rest!
Singen macht halt glücklich und dabei zuschauen auch!

holt euch die Käpt'n Karaoke App auf's Smartphone!
... wei sie wirklich toll ist!

Oder klickt den Link für seine Songliste…

Mo 06.03.2017
19.00 Uhr
Musik   Süper.Nice.Shows & little league shows prsnt: HUMAN ABFALL (post-punk, ger) + RINGOSTARWARS (garage/punk, bln)

after 10: schokokuss djs

Powerline Agency | Little League Shows | Süper.Nice.Shows prsnts:


Einlass: 19 Uhr
Konzert: 20 Uhr
no presale / kein VVK

HUMAN ABFALL bestehen seit Herbst 2011 aus Menschen, die an unwirtlichen Orten wie Stuttgart und Berlin leben müssen – den Städten der Verachteten, wo wirklich niemand auch nur mal für eine halbe Stunde tot über dem Nachbarszaun hängen möchte. Trotz oder gerade wegen des unumstößlichen Molochs ihres Lebensraumes sind alle Augen und das Interesse der Öffentlichkeit auf die zurzeit, sagen wir, eigenständigste Punkband des Erdballs gerichtet. Das anziehende Soundgerüst besteht aus einem noisigen Gitarrensound mit knarzigen, dem Wave zugewandten Bassläufen und einem zielsetzend, minimalistisch scheppernden Schlagzeugbeat. 

RINGOSTARWARS including members of the Berlin based explosive gospel soul punk BIG EATER and the Israeli based oldschool punk'n'roll UZBEKS, RSW are Berlin based energized punk trio with a big bag of noisy, surfy riffs, tight grooves and garagy snappy tunes. fasten your seat belts - the Falcon is about to take off to light speed - it's time to go catch Lucy. One way ticket for your brain to leave it's head!

Di 07.03.2017
20.30 Uhr
Lesung   LSD - Liebe Statt Drogen

Anschliessend: LAUT UND BILLIG - Der Wilde Gitarren Tresen
Micha, Volker, Uli, Tube, Spider, Ivo und Sascha präsentieren Geschichten, Lieder und Gäste.

Mi 08.03.2017
19.00 Uhr
Musik   Fourtrack On Stage: Walls & Birds (Indie, Berlin)

+ DJ Nordpolzigeuner
Walls & Birds machen eine wattige Mischung aus Disko und Surf, dekonstruieren nebenbei die Spider Murphy Gang oder spielen verschmitzt mit Fahrstuhlmusik und einer feinen Auswahl von Yacht- und Dreampop-Elementen. Ihre Lieder enthalten mindestens zwölfeinhalbtausend Melodien, genau doppelt so viele Wendungen und ultrapathetische Intros: Transzendenz Grand Cru!

Do 09.03.2017
19.00 Uhr
Musik   thirsty & miserable: GORILLA MASK (Avant-Thrash-Jazz, Berlin) + LED BIB (Londons Improv-Rocking Jazz Machine) - Double-Rec-Release-Show

gorilla maskdoors 19:00 - show 20:00
led bib

Peter Van Huffel – Alto Saxophone

Roland Fidezius – Electric Bass, Effects

Rudi Fischerlehner – Drums

Ground-shaking grooves, hammering rhythms and wailing melodies, layered with explosive no-holds-barred improvisations: GORILLA MASK is a type of sonic madness roaring with a restless, implacable energy that totters dangerously on the verge of total chaos. They craft spirals of sound in 4 or 5 dimensions, jabbing you in the ribs as they mess with your brain; the ebb and flow of an acutely aware trio of musicians who know what they want and know how to get it. Canadian ex-pat Peter Van Huffel is a saxophonist out of Coltrane, Ayler and Zorn, but he frames his improvisational forays in the context of a trio with hard rock dynamics, riding the churn of Roland Fidezius' frenetic bass and Rudi Fischerlehner's pulsating drum kit like a surfer on the biggest wave he’s ever seen.

GORILLA MASK is the product of a constantly active, hyper-intelligent hive-mind of three virtuosos; their music a mishmash of punk, rock and metal influences rooted in jazz, free-improvisation and the modern avant-garde. A collision of styles which form the key to the band's identity. This is bold, audacious 21st Century improvised music writ huge, with innumerable influences and tendencies, gritty and urban, intellectual and ready to run a marathon.

Mark Holub: drums
Liran Donin: bass

Toby McLaren: keyboards
Chris Williams, Pete Grogan: alto saxophone

Drummer and composer Mark Holub formed Led Bib in 2003 for a university masters project. Made up of his Middlesex university friends, the five piece played its first gig at London’s Klinker Club on February 24th 2004 to ten people in the backroom of a North London pub. Five years later they were performing on primetime TV to millions, having been nominated as a Mercury Prize album of the year. Theirs was a full gas acceleration to that point. Having had their first album met with widespread critical praise in May 2005, they also won the Peter Whittingham Jazz Award in the same year. A second album, Sizewell Tea released in 2007 through iconic London label Babel brought more interest, bigger features, better reviews. There was a notable shift in numbers too, audiences grew as fans cottoned on to a new jazz movement, of which Led Bib was a frontrunner, ditching the noodling and pulling more into rock territory. As they drew references from across the musical spectrum Beefheart and Zorn, Pink Floyd and Miles Davis so too did they draw in a larger swathe of interest, drum and bass heads, jazz aficionados, death metalists and folk, world music and pop fans were, in equal number, their audience.

A limited edition live release appeared in 2008, but it was the release of their 4th album Sensible Shoes that saw them experience widespread acclaim following the announcement that they were chosen as an Album of the Year in the 2009 Barclaycard Mercury Prize. The ensuing media storm saw them reach in excess of 20 million people as they performed on TV & Radio sessions including Channel 4 TV News with Jon Snow, playing live on BBC 2 and found a befuddled and unlikely pundit in Holub being asked to explain the likes of “what is jazz?” to the masses of early morning BBC breakfast radio listeners .

In 2011 the group released Bring Your Own, their second album for US based Cuneiform Records. Quickly hailed as a stand out success it gained 4 and 5 star reviews across the board. 2014 saw the release of two new albums to celebrate their 10th anniversary, the studio album 'The People in Your Neighbourhood' and the limited edition live vinyl 'The Good Egg', both hailed as modern classics and there best yet. 2017 sees the band release their eagerly anticipated 6th studio album and first with genre defying London label Rare Noise Records, a tour of Europe and the UK will be done in support. Will the next 10 years take them on a similarly unpredictable journey? Whatever happens, it’ll be interesting to watch.

“Rarely have two saxes, keyboards, bass and drums sounded so dangerous yet so compelling.” The Guardian
“Part free improv, part art-rock, the band’s uncompromising formula puts them in the vanguard of the new school of British jazz” — The Sunday Times

Fr 10.03.2017
19.00 Uhr
Musik   OFFBEATCLUB: Wood In Di Fire (GroovyJazzyReggae)

Aftershow DJ`s by Everything Crash Berlin​ spinning Ska/Rocksteady/EarlyReggae/Soul

Sa 11.03.2017
19.00 Uhr
Musik   little league shows, quartett & future sailor concerts: BOTSCHAFT (indie, bln/hh) + STRAND CHILD (indie, bln)

Quartett BookingLittle League Shows & Future Sailor Concertspräsentieren:

Botschaft (Hamburg, Kleine Untergrund Schallplatten)
Strand Child (Berlin, Späti Palace)

DJs: tba.

Wenn man sich schon Botschaft nennt, macht es Sinn auch eine zu haben: Die so betitelte, erst in diesem Frühjahr gegründete Band hat das: Malte Thran, Peter Tiedecken (Ex-Station 17 und The Robocop Kraus), Nils Kempen (Ex-Station 17 und Saboteur) und Holger Lüken (Ex-Tusq) sehen sich in der Sophisticated Pop-Tradition der 80er, Namen wie Scritti Politti und die Smiths werden als Referenzen genannt.
Tatsächlich verstehen es Botschaft, ähnlich wie ihre Vorbilder, anschmiegsamen Synth-Pop mit Gesellschaftskritik zu verschmelzen. Das ist zwar nicht sonderlich neu – man denkt unweigerlich an Die Sterne und die ganze poppigere Schiene der sogenannten Hamburger Schule – aber dennoch gut gemacht. Das Stück »Niederlage« behandelt den Einzug der Konkurrenz in moderne Liebesverhältnisse und die daraus resultierende Wahrnehmung des Scheiterns in ebensolchen Verhältnissen als persönlichen Fehler. (SPEX)

Strand Child
Hailing from Berlin, Germany, is an indie band of like-minded, international musicians, creating a cohesive and current blend of various musical influences. In Strand Child’s sound, one can find lessons learned from the 70s power-poppers, Big Star, a hint of late 80s experimentation of Guided By Voices, as well as the unbreakable loyalty to the decade-defining work of 90s heavyweights, Pavement. This, combined with passion and creativity of each individual member, results in a sound totally unique and relevant to the state of the genre.

So 12.03.2017
20.00 Uhr
Party   SchmuSalon - Die Party mit den Bons!

Ein Kennenlernspiel, ein Kaffeeklatsch, ein Quatsch, ein Heidenspaß und vieles unberechenbares mehr.
Die neue interaktive, sinnliche und intime Partyreihe vom Schokoladen bringt euch zusammen, genau wie ihr es gerne hättet.

Wer mitspielen möchte bekommt 5 Bons - 5 hübsche Aufgaben - 5 Momente seine Bons an Mitspieler los zu werden oder von ihnen zugespielt zu bekommen!
Und die Entgegennahme von Bons von Mitspielern ist natürlich freiwillig!

... und gewonnen hat der, der keine Bons mehr hat ;)

Mo 13.03.2017
19.00 Uhr
Musik   Detroit 442 (Punk/Detroit) + Einkauf Aktuell (Punkrock/Bln) presented by Punkfilmfest Berlin Booking

Detroit 442door 7 pm, show 8 pm (danach SCHOKOKUSS-Die queere ElektroPunkParty)
More Punkshows!Detroit 442, an old Blondie song, a car engine, a football (soccer) formation and the number of fires during the Detroit 1967 riot.

Detroit is an industrial city hit brutally by the decline of the heavy industry that had sustained it for decades. It struggles with poverty, some of the highest crime and unemployment rates in the United States, poor schools and a general sense of hopelessness.

Apart from the name this band has "Detroit" written all over it. Their "very quotable" songs and their attitude express working class boredom and lower class frustration, but they don't take themselves too seriously.

Singer Lacy’s is "one of the biggest mainstays in Detroit punk rock". His "over-exaggerated Johnny Rotten snarl gives the band character". Detroit 442's sound is described by many as a cross between The Dead Boys, Hugo Ball, The Damned, Maneki Neko, and an amp turned up all the way. Punk, punk, and more punk.

"Like a brick through your mother’s window, this doesn’t disappoint. DEAD BOYS, DAMNED, MC5, BLIGHT, MCDONALDS. It’s all here."
- Maximum rock n roll

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